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  • : Bienvenue sur Concerts-Review, le blog des critiques de concerts. Nous mettons en ligne quelques critiques subjectives des concerts auxquels nous assistons. N'hésitez pas à nous contredire à travers vos commentaires.
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17 décembre 2014 3 17 /12 /décembre /2014 14:11

Warning: this is not a countdown. Not a Top 20.

 

 tētēmaGeocidal

Artists:Mike Patton, Anthony Pateras 

 Artwork: Nik Kamvissis

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Genre: avant-garde, experimental

 

“Even when immobile, we are in motion.” (tētēma - tenz)

 

 What makes Patton’s recordings so Mike Patton-like? A certain level of high tonality, a sophisticated mixture of noise and harmony, all kind of esoteric, world music and tribal riff combined with heavy metal, plus the madness of the vocal parts. And the teams-up he does with other magnificent musicians.

 

tētēma – his latest project with the Australian composer and pianist Anthony Pateras – makes no exception. Their debut LP Geocidal was released on December 9 via, of course, Ipecac Recordings.

 

The story of the record as told by Pateras:

 

“Geocidal started when I locked myself in a convent in rural France for 10 days to think about rhythm and sound.” “I then went to Paris to record the drums and prepared piano with Will Guthrie…that was the first thing to go down, then all kinds of analogue electronics, followed by orchestrations including strings, winds, brass and orchestral percussion.” The vocals were recorded then in San Francisco with Patton. “We had the craziest 48 hours together, and somewhere in between finishing each other’s thoughts, it became apparent to us that this music was going to be very, very special.”

 

YOUTUBE

The video was first shot digitally, then transferred to 16mm film, and then transferred back to digital. Directed by Sabina Maselli.

 

 

tracklist

 

Invocation of the Swarm

Pure War

Irundi

The Hell of Now

Ten Years Tricked

3-2-1 Civilisation

Tenz

Suishaman

Kid Has Got the Bomb

Emptiness of Ecstacy

Death in Tangiers

 

MORE INFO:

 

Ipecac Recordings - http://ipecac.com/artists/tetema

 

    "so stop like-ing cat jpegs, stop drooling into your phone and listen to

    this freaking record - it will literally re-wire your existing perception of

    sonic possibility, although that's probably underselling it."

 

Anthony Pateras - http://anthonypateras.com/blog/

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16 décembre 2014 2 16 /12 /décembre /2014 18:36

Warning: this is not a countdown. Not a Top 20.

 

 Godflesh - A World Lit Only by Fire

 

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 Genre: Industrial metal

 

This October, the Industrial metal legends Godflesh released their first album in 13 years.

 

It took to Justin Broadrick more than 10 years to get Godflesh reunited. Just as for Michael Gira with Swans. A daring parallel for two groups huge in significance and impact but I make it because now we have two examples which unstick the label of dinosaur reunions from the heavy music scene.

 

The album title is a reference to William Manchester’s book A World Lit Only by Fire: The Medieval Mind and the Renaissance - Portrait of an Age (1992). The first track is called New Dark Ages. Draw the line and see where this is leading…

 

It’s not a reunion album issued to comfort fans’ melancholy and empty their pockets for bringing back cheap memories. The music is full of substance, giftedly raw, as mechanically aggressive as ever. It’s not a nostalgic album either. It’s the same band which depolarizes the boundaries between electronic and heavy music, re-branding itself within the new technologies of nowadays.

 

 

Tracklist

 

New Dark Ages

Deadend

Shut Me Down

Life Giver Life Taker

Obeyed

Curse Us All

Imperator

Towers of Emptiness

Forgive our fathers

 

Streaming on Godflesh's BANDCAMP

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15 décembre 2014 1 15 /12 /décembre /2014 16:51

Warning: this is not a countdown. Not a Top 20.

 

Reptile Youth - Rivers That Run for a Sea That Is Gone

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New band in town, but nevertheless not that new. Reptile Youth is a band from Copenhagen, they formed in 2009 and this is their second album. 'Rivers that run for a sea that is gone' was preceded and followed by plenty of shows around Europe in more than ten countries. A duo, Mads Damsgaard Kristiansen (vocals, keyboards) and Esben Valløe (bass), which teams up with other members to perform their songs live.

 

Heavy ultra-disco sound, the 80s revival with controversial videos and artwork, they smartly blend everything you can think of in terms of disco music to make their own provocative sound. Live, they're a delight.

 

 Streaming:

 

http://albumstreams.com/s/reptile-youth/rivers-that-run-for-a-sea-that-i...

 

Tracklist

 

Above

Colours

Rivers That Run for a Sea That Is Gone

Structures

Where You End I Begin

We're All In Here

Two Hearts

Jj

All of the Noise

Diseased By Desire

 

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12 décembre 2014 5 12 /12 /décembre /2014 10:37

Warning: this is not a countdown. Not a Top 20.

 

 Animals As LeadersThe Joy of Motion

 

Genre: Experimental/Progressive/Metal

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 The title says it all.

 

 

Probably their lightest album so far, but if put in the context after their debut album which was mind-blowing and after Weightless which was brilliant but a bit overdone, The Joy of Motion it’s just the perfect thing. It has definitely kept the original sound, the technicality but brings on a natural feeling of playing, comfortable even with more syncopated riffs. That’s the joy part.

 

 

What’s notable is that it’s a fully instrumental which has enough movement, shifts, motives, themes to keep your attention high throughout the tracklist. You simply cannot push the stop button.  That’s the motion part.

 

 

The above mentioned context makes it also clear that AAL have not yet exhausted of their potential. Not even far.

 

 

Released in March, it was previously streamed on YOUTUBE by Sumerian Records.

 

 

Track listing

 

Ka$cade

Lippincott

Air Chrysalis

Another Year

Physical Education

Tooth and Claw

Crescent

The Future That Awaited Me

Para Mexer

The Woven Web

Mind-Spun

Nephele

 

Personnel

 

Tosin Abasi – lead guitars

Javier Reyes – rhythm guitars

Matt Garstka – drums, percussion

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11 décembre 2014 4 11 /12 /décembre /2014 10:34

Warning: this is not a countdown. Not a Top 20.

 

 Thee Silver Mt. Zion Memorial Orchestra - Fuck Off Get Free We Pour Light on Everything

 

 Genre: Experimental

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 At the beginning of this year in January, Efrim Menuck released his seventh album with Thee Silver Mt. Zion Memorial Orchestra.

 

 

Under a title that expresses at the same time anger (Fuck off, get free) and optimism (we pour light on everything), six tracks to back up a statement given in an earlier interview: ‘Rage is a good source of hope.’ An insightful album on fighting the darkness without even mentioning it, a record full of metaphors and stories about overcome abandons, desperation and dealing with frustration and pain.

 

 

An artistic endeavor, nevertheless personal. The album opens with what Efrim’s four-year-old son, Ezra is telling us: ‘We live on the island called Montreal, and we make a lot of noise because we love each other.’  And ends with a testimony on music: ‘Tout ce qu’on peut dire c’est que la musique c’est vraiment une façon de vivre et pas quelque chose qu’on fait pendant le week-end. It’s what you are, it’s how you live, it’s the things that you do.’

 

Track listing

 

‘Fuck Off Get Free (For the Island of Montreal)’ – 10:22

‘Austerity Blues’ – 14:17

‘Take Away These Early Grave Blues’ – 6:47

‘Little Ones Run’ – 2:29

‘What We Loved Was Not Enough’ – 11:22

‘Rains Thru the Roof at Thee Grande Ballroom (For Capital Steez)’ – 3:57

 

 

 Personnel

 

Thierry Amar: Upright bass, electric bass, plucked piano, vocals

Efrim Menuck: Electric guitar, acoustic guitar, mellotron, vocals

Jessica Moss: Violin, plucked piano, vocals

Sophie Trudeau: Violin, plucked piano, vocals

David Payant: Drums, organ, vocals

 

Thee Silver Mt. Zion Memorial Orchestra toured to support the new album in February and they were present in Brussels in Botanique. This year, Efrim Menuck will come back, this time with Godspeed You! Black Emperor.

 


Concert review: Thee Silver Mt. Zion Memorial Orchestra & Eric Chenaux @Botanique Orangerie, Brussels – 27 February 2014

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9 décembre 2014 2 09 /12 /décembre /2014 13:25

Warning: this is not a countdown. Not a Top 20.

 

 The Cosmic DeadEasterfaust

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Genre: Space Rock, Psychedelic Rock

 

They are from Glasgow and they call themselves “Scotland's foremost Hawkwind tribute band. And no less mind.” They formed in 2010 and have already released since then an impressive amount of recordings. Easterfaust offers an outer-space journey carefully built from an 8-minute opening of pleasant psychedelic riffs to a cosmic blow up.  It has reverb vocals, moaning fuzzy guitars, hypnotic bass, breathtaking drumming. Recorded live, each audition is a trip in itself. 

 

Band Members

 

Omar Aborida - Basser

Lewis Cook - Synthist

Julian Dicken - Drummist

James T McKay - Guitarer

Güürly Shoastmann – Vibes

 

Audition: http://thecosmicdead.bandcamp.com/album/easterfaust

 

 

TRACKS :01. Easterfaust Pt. I - 22:31, 02. Easterfaust Pt. Ii - 19:26

 

Concert review: The Cosmic Dead @Café Central Bruxelles – 22 September

Concert Monkey

Le Blog des critiques de concerts

ALiveReports

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8 décembre 2014 1 08 /12 /décembre /2014 12:53

Warning: this is not a countdown. Not a Top 20.

 

Wovenhand - Refractory Obdurate

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 Genre: Dark Americana, Alternative country

 

Anyone once enchanted by the dark magnetism of 16 Horsepower has at least the curiosity to see what’s next in the world of David Eugene Edwards, no matter if he had switched the sound to something heavier in between.

 

 

The religious content is a constant but what he offers on Refractory Obdurate is not a sermon. The title juxtaposes two words which both stand for the word obstinate. It is a work full of personal turmoil and relentless search, a state neighboring a continuous fight between truth and doubt, an open list of unanswered questions. The passion coming out from the record is so strong, dark and agitated that it makes one feels uneasy. Could it be because behind the biblical myths may be hidden metaphors which still cast their terror on the day-to-day life?

 

 

Track listing

 

"Corsicana Clip" – 4:47

"Masonic Youth" – 3:39

"The Refractory" – 4:53

"Good Shepherd" – 4:00

"Salome" – 5:19

"King David" – 4:47

"Field of Hedon" – 3:33

"Obdurate Obscura" (Edwards, Chuck French) – 5:20

"Hiss" – 3:53

"El-Bow" (Edwards, French, Ordy Garrison, Neil Keener) – 2:42

 

All songs written by David Eugene Edwards, except where noted.

 

 Concert review: Wovenhand & Flying Horseman @ AB Brussels - 6 June 2014


 

Concert Monkey

 

Keys and Chords

 

 

Le Blog des critiques de concerts

ALiveReport

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6 décembre 2014 6 06 /12 /décembre /2014 08:47

Warning: this is not a countdown. Not a Top 20.

 

 Robert Plant and The Sensational Space Shifters - Lullaby and... The Ceaseless Roar

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Many themes and directions within this album. Infinite blend of styles. And still harmony, uniqueness and a degree of excellence beyond description. Who else could touch the opening lyrics of Thank You so nonchalantly evocative: “and if the sun refused to shine” brings back not memories from Led Zeppelin era, it brings back an entire bordering universe.

 

 

Everything he pours down turns into something new, without being avant-garde. He’s like a guru achieving the ultimate nirvana and laying upon us his experience acquired through his entire artistic journey. Not a happy album, at least not in depth. But it melts wisdom with sadness in such heartbreaking ways. The album is charming, is magical, is full of bitter sweet search for comfort. It's an album which can dissipate and sooth at the same time.

 

 

It’s so beautiful that it hurts!

 

Musicians

 

Robert Plant – vocals, production

The Sensational Space Shifters (as backing band):

 

Justin Adams – bendirs, djembe, guitars, tehardant, background vocals

Liam "Skin" Tyson – banjo, guitar, background vocals.

John Baggott – keyboards, loops, moog bass, piano, tabal, background vocals

Juldeh Camara – kologo, ritti, Fulani vocals

Billy Fuller – bass, drum programming, omnichord, upright bass

Dave Smith – drum set

Julie Murphy – vocals on "Embrace Another Fall"

Nicola Powell – background vocals on "Poor Howard"

 

tracks:

1.     "Little Maggie"       Traditional, arranged by Robert Plant, Justin Adams, John Baggott, Billy Fuller, Dave Smith, Liam "Skin" Tyson     5:06

2.     "Rainbow"       Plant, Adams, Baggott, Fuller, Tyson     4:18

3.     "Pocketful of Golden"       Plant, Adams, Baggott, Juldeh Camara, Fuller, Smith, Tyson     4:12

4.     "Embrace Another Fall"       Plant, Adams, Baggott, Camara, Fuller, Smith, Tyson     5:52

5.     "Turn It Up"       Plant, Adams, Baggott, Fuller, Smith, Tyson     4:06

6.     "A Stolen Kiss"       Plant, Adams, Baggott, Fuller, Tyson     5:15

7.     "Somebody There"       Plant, Adams, Baggott, Fuller, Smith, Tyson     4:32

8.     "Poor Howard" (‡)     Plant, Adams, Baggott, Camara, Fuller, Smith, Tyson     4:13

9.     "House of Love"       Plant, Adams, Baggott, Fuller, Smith, Tyson     5:07

10.     "Up on the Hollow Hill (Understanding Arthur)"       Plant, Adams, Baggott, Fuller, Tyson     4:35

11.     "Arbaden (Maggie's Babby)"       Plant, Adams, Baggott, Camara, Fuller, Smith, Tyson     2:44

 

 

As Rober Plant is an active opponent against the free online music, I couldn't find the Pocketful of Golden anywhere on youtube, but here it is another beautiful track and the first single, Little Maggie:

 

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5 décembre 2014 5 05 /12 /décembre /2014 04:01

Warning: this is not a countdown. Not a Top 20.

 

Pink Floyd - The Endless River

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 A recent video overtook all possible reviews to this album and make my own superflous. It’s an interview with David Gilmour and Nick Mason talking about the album, its concept, Rick Wright’s contribution and more. Just some insights here but you can watch the noteworthy 9 minutes of the video below.

 

The Endless River is the first album in 20 years, after The Division Bell and it’s the first album since Richard Wright passed away. It mostly contains material composed during the session of The Division Bells which was mostly recorded in 1993. The plan at that time was to make The Division Bell a double album, half of it with songs and half more ambiental, but the purely instrumental passages remained used.

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More on the concept behind and why this is going to be the last Pink Floyd album:

 

Pink Floyd - Exclusive Amazon Q & A. David and Nick answer questions on ‘The Endless River"

 

 

Tracklist:

1.     Things Left Unsaid     David Gilmour, Wright     4:26

2.     It's What We Do     Gilmour, Wright     6:15

3.     Ebb and Flow     Gilmour, Wright     1:52

4.     Sum     Gilmour, Nick Mason, Wright     4:50

5.     Skins     Gilmour, Mason, Wright     2:32

6.     Unsung     Wright     1:06

7.     Anisina     Gilmour     3:10

8.     The Lost Art of Conversation     Wright     1:43

9.     On Noodle Street     Gilmour, Wright     1:42

10.     Night Light     Gilmour, Wright     1:42

11.     Allons-y (1)     Gilmour     1:56

12.     Autumn '68     Wright     1:37

13.     Allons-y (2)     Gilmour     1:35

14.     Talkin Hawkin'     Gilmour, Wright     3:26

15.     Calling     Gilmour, Anthony Moore     3:38

16.     Eyes to Pearls     Gilmour     1:52

17.     Surfacing     Gilmour     2:47

18.     Louder Than Words     Gilmour, Polly Samson     6:25

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4 décembre 2014 4 04 /12 /décembre /2014 10:27

Warning: this is not a countdown. Not a Top 20.

garden-beast.jpg

 IordacheGarden Beast

 

 Garden Beast is concept album inspired by the nearest natural habitat that urban life may have access to: the backyard. There is a subtle link here, executed with the most candid and valid sense of humor: Mihai Iordache is also a nature lover, taking the civic duty to improve and protect the natural environment very seriously. Therefore, the album summons consideration to most simple natural wonders which surround and brings us joy.

The songs are quite descriptive with melodic solos, keyboard layers and tempered endings. The album title track Garden Beast stands for an excellent choice as opening track, the first expressive sounds of bass are promising an irresistible audition. Captain Rabbit continues at the same note of funky dance grooves. Summer Rain goes deeper into free style with excellent saxophone and guitar solos. My Dog Zorro brings a pleasing bossa-nova feeling while the Pond Reflection is exquisitely evoking an entire brass band.

 

 

 Tracklist:

 

01. Garden Beast (6:27)

02. Captain Rabbit (6:18)

03. Summer Rain (5:42)

04. Spider's Diner (4:03)

05. My Dog Zorro (5:12)

06. Pond Reflections (4:25)

07. Magnolia (6:57)

08. Earthworm (5:16)

 

Recorded at: La Bază Studio in Iaşi, 2014

Artwork: Medicine Madison

 

Musicians:

Mihai Iordache – alto saxophone, vocals (on Magnolia), arrangements

Sebastian Burneci – trumpet

Florian Radu – trombone

Toni Kühn – keyboards, electric guitar on Captain Rabbit

Dan Alex Mitrofan – electric guitar

Uţu Pascu – electric bass

Tavi Scurtu – drums, tambourine

– Special Guest: Sanem Kalfa – lead vocals on Magnolia

 

Read more in our full  ALBUM REVIEW: Iordache – “Garden Beast”or on ALiveReports and Le Blog des critiques de concerts

 

More information and audition: http://iordache.bandcamp.com/album/garden-beast

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